Gallery
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OA-08
Medieval Style Suite Of Armour
Medieval style suite of armor holding a halberd. Decorative reproduction dating from the first quarter of the 20th century.
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NW-51
Inlaid and Patinated Metal Art Deco Dinanderie Vase by Luc Lanel for Christofle
Inlaid and Patinated Metal Art Deco Dinanderie Vase by Luc Lanel for Christofle Impressed manufacturer's mark and number to underside ‘Christofle 242 E’. France circa: 1931 This model is illustrated in the book Lanel, Luc & Marjolaine. Dominique Forrest. Norma editions. About Christofle: “The world of art deco”von Bevis Hiller for the Mineapolis Institute of Art, “Metalkunst vom Jugendstil zur Moderne“, Karl H. Bröhan, Bröhan Museum Berlin. “150 ans d’orfèvrerie Christofle”, Chêne, Hachette
- height
- 9.5 in.
- diameter
- 5.25 in.
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D-08
Regency Period Burled Amboyna Writing Table
Regency period burled amboyna writing table, inset with two drawers and resting on patinated metal paw feet.England circa: 1830
- width
- 50 in.
- height
- 30 in.
- depth
- 23.25 in.
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C-27
19th Century Continental Chest of Book Spine Drawers
Louis XVI Style French commode fitted with English literature books
- width
- 59.5 in.
- height
- 33.5 in.
- depth
- 25 in.
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T-137
Danish Teak Circular Expanding "Flip Flap" Dining Table by Dyrlund Furniture
Danish Teak Circular Expanding "Flip Flap" Dining Table by Dyrlund Furniture
- height
- 29 in.
- diameter
- 48 in.
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T-136
Italian Modernist Amaranth Coffee Table
Italian Modernist Amaranth Coffee Table Italy: circa 1950
- width
- 29.25 in.
- height
- 17 in.
- depth
- 29.25 in.
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M-75
Mid Century Modern Maple Italian Mirror Attributed to Osvaldo Borsani
Mid Century Modern Maple Italian Mirror Attributed to Osvaldo Borsani Italy: circa 1950
- width
- 20.5 in.
- height
- 37.5 in.
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S-123
Pair Cherry of Art Deco Period Armchairs Attributed to Maison Dominique
Pair cherry of Art Deco Period Armchairs Attributed to Maison Dominique. France: circa 1940
- width
- 22.5
- height
- 33.75
- depth
- 18.25
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M-74
Crystal Glass Mirror by Max Ingrand With Interlacing friezes.
Glass mirror by Max Ingrand with cut corners,with etched crystal mirrored panel. Italy: circa 1940. Bibliography : Pierre Emmanuel Martin-Vivier, Max Ingrand, Du verre à la lumière, Norma Éditions, Paris, 2009 p.25 exact model.
- width
- 27.5 in.
- height
- 35.25
- depth
- 1 in.
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L-63
Glass and Brass Floor by Pietro Chiesa for Fontana Arte
Glass and rass Floor by Pietro Chiesa for Fontana Arte with 4 profile sheet of glass. Similar model illustration no 112 in Franco Doboni Fontana Arte ed. Allemandi & Co 2012 Italy: circa 1940
- height
- 72.8 in.
- diameter
- 15.75 in.
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M-04
Important coloured glass mirror model 2273 by Max Ingrand for Fontana Arte
Important coloured glass and brass mirror model 2273 by Max Ingrand for Fontana Arte Literature: Domus, no. 323, October 1956, n.p. for a Fontana Arte advertisement. Italy: circa 1955
- width
- 21.25 in.
- height
- 35.5 in.
- depth
- 1.5 in.
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S-118
Pair of Beechwood and Leather "Thebes" Armchairs by Liberty & Co.
Pair of beechwood and leather " Thebes" armchairs by liberty & Co. United Kingdom: circa 1950
- width
- 20.5 in.
- height
- 37 in.
- depth
- 19 in.
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L-54
Pair of Patinated Bronze Table Lamps Attributed to Arturo Pani
Pair of Patinated Bronze Table Lamps Attributed to Arturo Pani. Mexico: circa 1955 provenance: JF Chen, Los Angeles
- height
- 38.5 in.
- diameter
- 13 in.
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S-117
on hold
Pair of Mahogany Armchairs by Ole Wanscher for Poul Jeppesen
Pair of Mahogany Armchairs by Ole Wanscher for Poul Jeppesen Denmark: circa 1955 Metal manufacturer's label to underside of each example ‘Made in Denmark PJ Design Ole Wanscher’ with Danish control tag. Impressed number to underside of each example '7610'. provenance: JF Chen, Los Angeles
- width
- 25
- height
- 32
- depth
- 22.5
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NW-44
Patinated Brass Vase by Paul Haustein for WMF
Patinated Brass Vase by Paul Haustein for WMF. manufactured by Württembergische Metallwarenfabrik. Germany: circa 1920 Stamped with manufacturer's mark WMF Provenance David Bonsall, England Unity in Variety: The David Bonsall Collection of Decorative Arts & Design, Bonham's, London, 14 February 2023, lot 134 Acquired from the above by the present owner
- height
- 13 5/8 in.
- diameter
- 5 1/8 in.
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CR-51
Porcelain "Nerville" Vase by Maurice André for Manufacture Nationale de Sèvres
Porcelain "Nerville" Vase by Maurice André for Manufacture Nationale de Sèvres France: 1953 inscribed FB. d'ap. M.ANDRÉ 26-53 and with manufacturer's marks Provenance Sotheby's, New York, 28 July 2016, lot 25 Acquired from the above by the present owner Literature Sèvres: Porcelain of the 50s, exh. cat., L'Arc en Seine, Paris, no. 28 Maurice André (1914-1985) was a distinguished French visual artist known for his significant contributions to the world of tapestry art. As a founding member of the renowned group "Tapisserie de France" and a member of the A.P.C.T. (Association des Peintres-Cartonniers de Tapisserie), André played a pivotal role in shaping the tapestry art scene of his time. André's artistic style was distinctly personal, diverging from the dominant aesthetic championed by artists like Lurçat. Influenced by cubism, his work was characterized by the use of rigorous, flat areas of color, often employing a limited palette to achieve striking visual effects. His innovative approach caught the attention of both critics and patrons, leading to numerous prestigious commissions, including notable works for the Council of Europe in Strasbourg ("L'Europe unie dans le Travail et la Paix") and the French pavilion at the Brussels Exhibition in 1958 ("La Technique moderne au service de l'Homme"). Over time, André's artistic style underwent a gradual evolution, moving towards greater abstraction, much like his contemporaries Wogensky and Prassinos. His later works embraced a more lyrical and geometric aesthetic, reminiscent of the renowned artist Matégot.
- height
- 10 5/8 in.
- diameter
- 6 1/4 in.
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S-109
Pair of "Gun Metal" and Polished of Steel Ottomans by Karl Springer
Pair of gun metal and polished of steel ottomans by Karl Springer Literature: Red Binder Product Catalogue, Karl Springer LTD, New York, 1983, Seating Section, p. 14 (model illustrated)
- width
- 25.75
- height
- 17.5
- depth
- 25.75
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NW-31
Monumental Baroque Period Continental Solid Brass Repoussé Wine Cooler
Continental Europe Baroque period repousse brass wine cooler. Continental Europe 17th century
- width
- 34
- height
- 12
- depth
- 21
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C-15
Elizabethan Period Carved Oak Boarded Chest
Elizabethan period carved oak borded chest. The front board featuring craved relief portraits of a noble lady and a nobleman England: circa 1550 Provenance: Metro Antiques NYC
- width
- 36 in.
- height
- 23 in.
- depth
- 15 in.
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T-134
17th Century French Oak Trestle Table.
17th Century French oak trestle table. Stunning, elegant, long, timeless 16 foot long oak trestle table. The table can be taken apart: The top lifts off and the three X-form supports slide off the stretcher. France: 17th century. Seats 14-16 people. Provenance: Metro Antiques NYC
- width
- 192.5 in.
- height
- 30 in.
- depth
- 33 in.
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S-107
Pair of Louis XIII Style Beechwood and Upholstered Benches
Pair of Louis XIII Style Beechwood and Upholstered long Benches. France: circa 1880. Provenance : Former collection of Maurice Margules Metro Antiques NYC
- width
- 58.75
- height
- 19.75
- depth
- 18.5
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S-104
Pair of North Italian Bone Inlaid Walnut Sgabelli Hall Chairs
Pair of North Italian Bone Inlaid Walnut Sgabelli Hall Chairs Italy: 17th century. Provenance: Metro Antiques.
- width
- 14 in.
- height
- 41.5 in.
- depth
- 18 in.
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T-127
Regency period circular mahogany dining table
Regency period circular mahogany dining table , the top featuring beautiful figured flamed mahogany veneer done in a sunburst pattern, resting on a single pedestal composed of four saber legs ending in brass casters. England c.1820.
- height
- 30
- diameter
- 52.5
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NW-30
Rare Black Stitched Leather Equestrian Decanter Set by Jacques Adnet for Hermes
Rare Black Stitched Leather Equestrian Decanter Set by Jacques Adnet for Hermes Embossed and gilt manufacturer's mark to underside of leather case ‘Hermès Paris’. Acid-stamped manufacturer's mark to each decanter ‘Baccarat France’. France: circa 1960 provenance: Private Collection
- width
- 8.25
- height
- 9.75
- depth
- 5.25