Gallery
-
NW-41
Indonesian Decorative Stone Plate
Indonesian decorative carved stone plate. Indonesia.
- height
- 2 in. (5.08 cm)
- diameter
- 12 in. (30.48 cm)
-
SC-36
Plaster Sculpture Bust of Young Boy
Plaster sculpture bust of young boy the dimensions are with the base. France.
- width
- 8 in. (20.32 cm)
- height
- 9 in. (22.86 cm)
- depth
- 7.25 in. (18.42 cm)
-
S-133
Leather Chesterfield Style Sofa
Leather Chesterfield Style sofa United States.
- width
- 64 in. (162.56 cm)
- height
- 28 in. (71.12 cm)
- depth
- 36 in. (91.44 cm)
-
OA-02
Solid Brass Ships Loc Walkers Cherubs Mark ii Knot Meter
Solid brass ships LOC walkers cherubs mark II knot meter. England.
- width
- 4.25 in. (10.8 cm)
- height
- 7.25 in. (18.42 cm)
- depth
- 11.75 in. (29.85 cm)
-
NW-39
Pair of Bronze Patinated French Renaissance Style Ewers
Pair of bronze patinated French Renaissance style Ewers decorated with putti and grapes wines. France.
- width
- 9 in. (22.86 cm)
- height
- 22 in. (55.88 cm)
- depth
- 7 in. (17.78 cm)
-
P-08
sold
Ink on Paper of Nudes "Réflexion Dans Un Mirror" by Boris Vansier
Ink on Paper of Nudes "Réflexion dans un Mirror" by Boris Vansier With Original Sticker Gallery Agnès Lefort Boris Vansier spent his youth in Geneva and left for the United States in 1946, settling first in New York where he took classes at Adelphi University then in Los Angeles where he attended the prestigious Chouinard Art Institute. In 1948, after a brief return to Switzerland, Vansier moved to Montreal where he met gallerist Henry Kleemann, who offered him his first exhibition at the Kleemann Gallery in New York. In 1954, he left Canada to settle in France, first in Cannes until 1956, then in Paris during the 1960s where he befriended New Realist artists including Arman, David Lan-Bar, Raymond Hains and Yves Klein. Canada.
- width
- 22 in. (55.88 cm)
- height
- 28 in. (71.12 cm)
- depth
- 2 in. (5.08 cm)
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T-160
sold
Walnut and Brass Dining Table by Luiggi Caccia Dominion for Azucena
Oval walnut and brass dining table designed by architect Luigi Caccia Dominioni for Azucena . Signed on the base: Azucena. In 1947 Caccia Dominioni started Azucena with fellow architect Ignazio Gardella. Azucena was started as an outlet to create furniture and design items that accompanied their building designs as part of a total design concept. They are well known for their experimentation and innovation with designs, finishes and production processes. Italy.
- width
- 71 in. (180.34 cm)
- height
- 29 in. (73.66 cm)
- depth
- 51.5 in. (130.81 cm)
-
CR-37
Red Ceramic Glazed Vase by Charles Sucsan
Red Ceramic Glazed Vase by Charles Sucsan. Canada: circa 1970 Charles Sucsan was born in Paris, France to Hungarian parents. The artist studied ceramics and sculpture in Paris, apprenticing at the studio of Florencio Fernandez, a master ceramist and close friend to Pablo Picasso. Sucsan studied drawing and painting at L’Ecole Municipal de Paris from 1951-1952. In 1952 the artist moved to Montreal, Quebec to pursue a career in the arts. Charles Sucsan is a multi-disciplinary artist, working across mediums, in 1958 the artist opened his own studio a creating paintings, ceramics, murals and sculpture. From 1960 to 1975 the artist received a number of commissions to create several large public and private murals in Montreal and Quebec.
- width
- 4 in.
- height
- 10 in.
- depth
- 3.25 in.
- condition
- Good Condition
-
CR-36
Green glazed ceramic and silver "Argenta" vase by Wilhelm Kage for Gustavsberg
Marked: "Made in Sweden Gustavsberg Argenta". Sweden: circa 1940
- height
- 2.25 in.
- diameter
- 2. 3/8 in.
- condition
- Good condition , no restorations.
-
S-97
$18,500
Art Deco Period Rosewood Armchair By Maison Dominique
Rare French Art Deco period Rosewood armchair , fitted with silvered brass hoofs , upholstered with green velvet fabric. Maison Dominique , Andre Domin & Marcel Genevrière , Paris France: circa 1925. Reference Art Deco les maîtres du mobilier le décor des paquebots par Pierre Kjellberg. p. 57 shows an identical example. Provenance: Private collection New York
- width
- 28 in.
- height
- 31 in.
- depth
- 27 in.
- condition
- Very good original condition.
-
P-07
Colorful Oil on Canvas Nature Morte by Claude Venard
Claude Venard, French (1913-1999).Colorful abstract cubist oil on Canvas "Nature Morte Aux Fruits ". Signed "C. Venard", label to the back May 9, 1989, lot 60 Provenance: Collection of Litsa Tsitsera, New York;, Christie's East, NY, May 9, 1989, lot 60, "Modern and Contemporary Paintings, Drawing and Sculpture.
- width
- 21 in.
- height
- 18 in
- depth
- 1 in.
- condition
- The painting has recently been cleaned and some small area of the yellow paint was missing and has been filled , original silver gilt frame with some re-gilding , Condition report from the restoration studio is available .
-
P-01
Colorful Abstract Gouache "Lovers in Landscape" by Gio Colucci
Gio Colucci, painter, sculptor, ceramist was born in Florence, Italy in 1892. In 1911, he moved to Paris to study architecture at the Fine Art School. Colucci settled in Cairo in 1914 where he worked as an architect. In 1917, he gave up architecture and began painting. He went to the United States and brought back many canvas. Upon returning to Paris in 1919, Colucci exhibited at the Allard Gallery. In 1921 and 1923, he participated in the Salon d’Automne and in the Salon des Surindépendants with Gleizes, Herbin, Duchamp-Villon. Colucci returned to Paris in 1945 and exhibited his ceramics at the Christofle Gallery. In 1947, he took part in the Salon des Décorateurs in Paris, and in 1952 exhibited his ceramics at the Vallauris Museum in Provence. The same year the Odéon Gallery exhibited his polychromed sculptures which have a total expression of liberty. In 1954, Colucci participated in the Salon des Indépendants at the Grand Palais Museum where he showed sculptures and ceramics. Gio Colucci participated in the third Biennale dedicated to sculpture in 1955 in Antwerp in Belgium. In 1956, Colucci founded, along with Gino Severini, the Italian School of Arts and in 1959, a retrospective was held at the Juster’s Gallery in New York as well as at the Rodin Museum in Paris. A retrospective of his work is organized in New York in 1963. The Museum of Decorative Arts in Paris exhibited several polychromed wood-based sculptures, ceramics but also painted and sticked Arcopal glass by Colucci. The artist died in Paris in 1974. Provenance ex collection of Family owner of Sara Lee. Italy: circa 1950
- width
- 23.25 in. (59.06 cm)
- height
- 24.5 in. (62.23 cm)
- depth
- 2 in. (5.08 cm)
- condition
- Very good condition, no restorations.
-
SC-76
Patinated Plaster Bust of a Chinese Woman by Herbert McRae Miller
Patinated plaster bust of a Chinese woman by Herbert McRae Miller. "Signed: H. M. Miller 40" Herbert McRae-Miller was born in Montreal. He studied at the Art Students League, New York under John Sloan; at the Monument National, Montreal under Edmund Dyonnet; and at the École des Beau-Arts, Montreal under Alfred Laliberté. He also studied book design under Charles W. Simpson [1923-24]. Canada: circa 1940 Provenance : Estate of Mr. & Mme Khouri Montreal Canada.
- width
- 16.5 in. (41.91 cm)
- height
- 19.5 in. (49.53 cm)
- depth
- 11 in. (27.94 cm)
- condition
- Good original condition , no restorations .
-
SC-73
Patinated Plaster Bust of a Woman "Carmencita" by Herbert McRae Miller
Patinated plaster Bust of Woman "Carmencita" by Herbert McRae Miller Signed H. McRae Miller and bearing a paper from Art association of Montreal 60th anniversary exhibition 1933 . Herbert McRae-Miller was born in Montreal. He studied at the Art Students League, New York under John Sloan; at the Monument National, Montreal under Edmund Dyonnet; and at the École des Beau-Arts, Montreal under Alfred Laliberté. He also studied book design under Charles W. Simpson [1923-24]. Canada. Provenance : Estate of Mr. & Mme Khouri Montreal Canada.
- width
- 7.25 in. (18.42 cm)
- height
- 17.5 in. (44.45 cm)
- depth
- 9.5 in. (24.13 cm)
- condition
- Good original condition , no restorations.
-
SC-66
Patinated Plaster Bust of Woman by Herbert McRae Miller
Patinated Plaster Bust of woman by Herbert McRae Miller Signed: H. Mcrae Miller/32. Canada: circa 1932 Herbert McRae-Miller was born in Montreal. He studied at the Art Students League, New York under John Sloan; at the Monument National, Montreal under Edmund Dyonnet; and at the École des Beau-Arts, Montreal under Alfred Laliberté. He also studied book design under Charles W. Simpson [1923-24]. Canada. Provenance : Estate of Mr. & Mme Khouri Montreal Canada.
- width
- 14.5 in. (36.83 cm)
- height
- 16.5 in. (41.91 cm)
- depth
- 9 in. (22.86 cm)
- condition
- Good original condition, no restorations.
-
SC-50
Patinated Plaster Bust of Woman by Herbert McRae Miller
Patinated plaster bust of woman by Herbert McRae Miller representing Elizabeth O'toole. marked 1928 on paper and signed inside the sculpture "1928 RCA show. H. McRae Miller". Canada: circa 1928 Herbert McRae-Miller was born in Montreal. He studied at the Art Students League, New York under John Sloan; at the Monument National, Montreal under Edmund Dyonnet; and at the École des Beau-Arts, Montreal under Alfred Laliberté. He also studied book design under Charles W. Simpson [1923-24]. Canada. Provenance : Estate of Mr. & Mme Khouri Montreal Canada.
- width
- 12 in. (30.48 cm)
- height
- 14.5 in. (36.83 cm)
- depth
- 10 in. (25.4 cm)
- condition
- Good original condition, no retorations.
-
CR-22
Art Deco Period Ceramic Vase by Jean Mayodon
French Art Deco ceramic vase by Jean Mayodon, the brown glazed finish showing a representation of Bacchante. France: circa 1925. Artist's cipher to underside. Provenance: Seymour Stein Collection. One of the foremost French Art Deco ceramicists, Jean Mayodon was initially trained as an interior decorator and painter but by the age of twenty had turned to ceramics. Setting up a workshop in his hometown of Sèvres, Mayodon quickly gained recognition. He presented his ceramics for the first time in 1919 at the Musée Galliera which led to a solo exhibition two years later. He collaborated with Emile-Jacques Ruhlmann at the extraordinarily influential 1925 World's Fair in Paris, the Exposition International des Arts Décoratifs et Industriels Moderne and his work was also included in the Parisian Salons des Artistes Décorateurs of 1928 and 1932, a primary forum for young designers. Throughout his successful career Mayodon participated in numerous international exhibitions. So celebrated were Mayodon's ceramics that from 1934-39 he served as an artistic adviser at the foremost porcelain company, Manufacture Nationale de Sèvres and from 1941-42 was the artistic director. In addition to Ruhlmann, he collaborated with other preeminent designers and architects of the day including, Eugene Printz, Jules Leleu, and Raymond Subes.
- height
- 10 in.
- diameter
- 4.75 in.
- condition
- Very good condition
-
CR-20
Glazed Ceramic Vase by Josep Jordi Guardiola i Bonet for Sèvres
Glazed ceramic Vase by Josep Jordi Guardiola i Bonet for Sèvres depicting mythological scenes.Signature and date to underside ‘Josep Jordi Guardiola 1937 Sevres’ with impressed manufacturer's mark ‘Sèvres Manufacture Nationale France G.T.’. France: circa 1937. Provenance: collection of Seymour Stein In 1924 he obtained the Second Medal at the Madrid Exhibition, in 1925 the Second Medal at the Exhibition of Decorative Arts and Modern Industries in Paris, in 1926 the First Medal at the Philadelphia Exhibition and in 1929 the First Medal at the International Exhibition of Barcelona. This same year he exhibited in Madrid invited by the Spanish Society of Friends of Art. The maturity that he reached as a ceramist led him to be invited by the French Government in 1934 to work at the National Ceramic Manufacture of Sèvres. These pieces were exhibited in May 1935 in the Sala Parés in Barcelona.
- height
- 18 in.
- diameter
- 9.5 in.
- condition
- Very good original condition.
-
CR-19
Glazed Ceramic Vase by René Buthaud
Glazed ceramic vase by René Buthaud depicting nude dancers. Glazed signature to underside ‘RB’. France: circa 1935 Literature: Céramiques de René Buthaud, Buthaud and Du Pasquier, pg. 130 Provenance: Collection of Seymour Stein. Following a brief stint as an engraver for the French army during WWI, he returned to Bordeaux where his artist friends Jean Dupas and Roger Bissière encouraged him to try his hand at ceramics. In 1919 and 1920 he exhibited his new wares at the Salon d’Automne and the Salon des Artistes Décorateurs in Paris, where his work achieved critical acclaim. Among his buyers was the famed artist Jean Dunand, who was so impressed by Buthaud’s work that he nominated him for the first Florence Blumenthal Prize, which went to Buthaud in 1921. He settled in Bordeaux in 1925, where he would spend his entire life in continual experimentation and growth, branching out further into ceramics and eventually working with glass as well. The subsequent decades were filled with a multitude of achievements including: jurying the Exposition des Arts Décoratifs in 1925, directing the Primavera Pottery from 1923 through 1926, exhibiting at galleries Druet and George Rouard, becoming a Chevalier of the Légion d'Honneur in 1937, an officer of the Ordre des Arts et des Lettres in 1983, and receiving the French National Order of Merit in 1986, mere months before his death. He left behind an enormous and impressive body of work encompassing drawings, paintings, verre églomisé panels, and ceramics, all bearing the hallmarks of his unique style: a combination of classicism and modernism with dashes of Cubism, the Italian Renaissance, and influences of the African tribal art he collected.
- height
- 9 in.
- diameter
- 5.5 in.
- condition
- Good overall general condition
-
NW-06
Steel Cinetic Object "Tetracono SM" by Bruno Munari for Danese Milano
Steel and Aluminium Cinetic Object "Tetracono SM" by Bruno Munari for Danese Milano. Paper manufacturer's label to underside ‘Bruno Munari 1965 Tetracono S.M. cinquanta esemplari numerati e firmati esemplare n. 28 Munari Edizioni Danese Milano’. This work is number 18 from the edition of 50. This kinetic sculpture is comprised of four rotating cones which alternate between green and red. Italy: circa 1965 the object was originally intended by danese milano as an artist's multiple, to circulate at a price closer to a consumer product. it was intended to be industrially manufactured. turns out neither of these ws true in the end. the first version had motors to turn the cones and it was a resounding technical flop. this second version without motors was motivated by an exhibition in amsterdam at tghe stedlijk museum. 50 copies were made, but they were not really at an industrial scale. basically, some guy in one of munari's students' studios who knew how to operate a lathe produced the series. Provenance: Collection of Max and Susanna Fischer Montreal
- width
- 6.25 in.
- height
- 6 in.
- depth
- 6 in.
- condition
- Good original condition , showing normal wear consistent with age and use ,
-
NW-05
Modernist Style Sterling Silver Coffee Service
Modernist style sterling hand hammered silver coffee service and tray, the walnut tray and handles inlaid with semi-precious stone and silver. Stamped under the base "Sterling". American continent mid 20th century.
- height
- 9 in.
- condition
- Very good condition, minor wear, a small bruise to the coffee pot cover flange.
-
S-132
sold
First edition of "The Spanish" Armchair by Borge Mogensen
First edition of "The Spanish" Armchair by Borge Mogensen designed in 1958 for Fredericia Stolefabrik & Dahlman. Numbered in stencil n° 226, indicating that this is a rare early model made between 1958 and 1962 by Federicia and Willy Henriksen with Dahlman stitched leather. Denmark: circa 1958. Seat height: 11.5 in. Reference : Michael Muller , Borge Mogensen, Simplicity and Function, Hatze Cantz, Berlin, 2016, pp. 12, 22, 213 et 214 Provenance: Private collection , estate of Eugene Carroll
- width
- 32.25 in.
- height
- 26.75 in.
- depth
- 23 in.
- condition
- Good vintage condition , some staining and nicks to the frame, scattered scuffing to the seat and backrest. Structurally sound.
-
T-197
Campaign Style Brass-Mounted Mahogany Trestle Low Table
Campaign Style Brass-Mounted Mahogany Trestle Low Table
- width
- 54.25 in.
- height
- 17 in.
- depth
- 24.25 in.
-
T-196
Set of Three French Modernist Nesting Tables
Set of three French stylish brass nesting tables inset with black glass tops. France c.1950 Provenance: Bernd Goeckler Antiques, Inc., NY., February 9, 2007.
- width
- 25.75 in.
- height
- 17.25 in.
- depth
- 16 in.