Gallery
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GL-44
Green and Purple Stemed Bowl by Luciano Gaspari for Salviati
Green and Purple Glass Stemed Bowl by Luciano Gaspari for Salviati the stem bearing an etched signature on the underside: "Salviati Venezia" Italy : circa 1960 1913. Born in Venice on March 22 in a family of decorators. 1931. After attending the Institute of Art, he made his debut at the collective exhibition of the Opera Bevilacqua La Masa. 1932. He receives the prize for the younger painter at the XVII Venice Biennale. 1933. Student of Virgilio Guidi at the Academy of Fine Arts. 1935. He follows Guidi in Bologna. Here he attends the course of engraving techniques held by Giorgio Morandi, with whom he will remain in correspondence for a long time. 1936. Participates in the Rome Quadriennale and the Venice Biennale. 1937. After completing his studies in Bologna, he returns to Venice. 1938. Participates in the Venice Biennale. 1940. Participates in the Venice Biennale; becomes assistant to Giuseppe Cesetti, professor of figure at the Academy of Fine Arts in Venice, who takes over holding the chair until 1983. 1943. marries the painter Bruna Gasparini. He held his first private exhibition at the Galleria del Milione in Milan with Armando Pizzinato. 1944. He exhibits thirteen works in a solo show in Venice, at the Galleria del Cavallino by Carlo Cardazzo, a reference point for Venetian Spatialism, whose - although not adhering to the movement - is close to his inspiration. 1947. Participates in the Rome Quadrennial. He began working as a designer with the Salviati Murano glassworks. 1948. Participates in the 24th Biennale with three paintings: Dormiente, purchased by the Gallery of Modern Art of Ca ’Pesaro, Figure and Composition. Take part in the Palazzo Re Enzo in Bologna at the first national contemporary art exhibition promoted by the Alliance for the Defense of Culture, (over forty appearances, including, in addition to him, Afro, Cagli, Consagra, Guttuso, Leoncillo, Mafai, Turcato, ...), who claims the necessity of artistic confrontation with avant-garde European experiences.
- height
- 7.75 in.
- diameter
- 8.5 in.
- condition
- Good overall condition
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GL-43
Large Black and Smoked Glass Vase by Per Lutken for Holmegaard
Important black and smoked glass vase by Per Lutken for Holmegaard retaining it's original makers label, the underside etched signature Holmegaard 1732 P61 Denmark : circa 1961 Lütken worked for 56 years with Holmegaard Glass Factory, creating over 3000 glassworks and earning the title of 'master of Danish Glass Design'. His vases, dishes and glasses are harmoniously simple in form and colour. Lütken has been a member of the Triennale di Milano since 1951. His work was included in the 1954—57 USA 'Design in Scandinavia’ travelling exhibition, 1956—59 Germany ‘Neue Form aus Danemark’ travelling exhibition, 1958 ‘Formes Scandinaves’ exhibition at the Paris Musée des Arts Décoratifs, 1960—61 USA ‘The Arts of Denmark’ travelling exhibition, 1962 ‘Creative Craft in Denmark Today’ in New York, 1980 ‘Scandinavian Modern Design 1880—1980 exhibition at the Cooper-Hewitt Museum, New York, and 1983—84′ Design Since 1945’ exhibition at the Philadelphia Museum of Art
- height
- 16.75
- condition
- Good overall condition
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SC-03
Bronze Patinated Abstract Sculpture by Bruno Romeda
Cast bronze and patinated abstract Sculpture by Bruno Romeda, "Colonne" . Romeda's works appear in numerous private , corporate and museum collections, including the permanent collection of the Metropolitan Museum of art in New York Signed: "B. Romeda 1/8" Italy : circa 2000 Bruno Romeda was born in 1933 in Brescia, (Italy) and died in 2017. He lived in France, New York and Brescia. The work of Romeda has been exhibited in numerous cities; his first personal exhibition took place in Brussels in 1962, followed by solo shows in Paris, New York, Barcelona, San Francisco, Monte Carlo, Baltimore, berlin, Erbusco (Italy), Venice or Tokyo. A significant number of museums own pieces of the artist such as the Metropolitan Museum of New York, the Kasama Nichido Museum of Art in Japan, the Contemporary Art Museum of Nice, or the Robert College of Istanbul. His pieces of art are also part of important and esteemed private collections around the world. provenance: Barry Friedman Ltd., New York, private collection
- width
- 9.5 in.
- height
- 80
- depth
- 9.5 in.
- condition
- Good overall general condition
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T-66
Rare Acid Etched Patinated Brass and Pewter "Eternal Forest Coffee Table" by Philip & Kelvin Laverne
Rare engraved and acid-etched, patinated and polychromed bronze, pewter and enamel "Eternal Forest" Coffee table by Philip & Kelvin Laverne . The beautiful decorated and patinated top is resting on a four sided concave patinated brass plinth base. Etched signature to top "Philip + Kelvin Laverne". USA : circa 1960 Philip (1907-1987) and Kelvin (b. 1937) LaVerne were a New York-based father and son collaborative duo best known for their use of innovative metalworking techniques to produce custom-made, limited editioned furniture which integrated art and design. Born in New York City, Philip LaVerne studied under Ashcan School painter John Sloan at the Arts Students League of New York. Kelvin LaVerne, also born in New York, pursued metal sculpting and furniture design at the Parsons School of Design and, like his father, studied at the Arts Students League as well. In the late fifties, the two began collaborating, eventually opening a showroom on East 57th Street in Manhattan. Working primarily in pewter and bronze, Philip’s role concentrated on the materials and decorative elements, while Kelvin focused on the overall form and functionality. Combining modern and traditional designs, their subjects centered mostly around historical civilizations, mythology, and chinoiserie, later gravitating towards more abstracted works. Patterns range from the figural, like “Chan”, “Ming” and “Festival” to the abstract, such as “Eternal Forest”, “Viola” and “Etruscan”. Since Philip’s death in 1987, Kelvin has ceased production of their famed Historical Series, however, he still creates pieces under both their names to this day.
- height
- 17
- diameter
- 41.25
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M-10
Unique Colourful Lacquered Fabric Mirror by Karl Springer
Unique colourful lacquered fabric mirror by Karl Springer Provenance: Property from the personal collection of Jeff Schuerholz of Fat Chance, the iconic Los Angeles store for the Hollywood elite. USA : circa 1970
- width
- 24.5 in.
- height
- 53 in.
- depth
- 8 in.
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T-43
Patchwork Copper Dining Table by Paul Evans
Patchwork Copper Dining Table by Paul Evans USA : circa 1970
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NW-50
Gio Ponti for Richard Ginori, "Quattro Stagione", Four Seasons Vases
Porcelain footed vases designed by Gio Ponti for Richard Ginori, series "Quattro Stagione" each depicting one of the four seasons, These are the reissues from the 1980s. Italy: circa 1987.
- height
- 7.5 in (19.05 cm)
- diameter
- 6 in (15.24 cm)
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NW-43
Silver Plated and Copper Swan Center Piece by Chato Castillo
Silver plated and copper swan center piece by Chato Castillo. Mexico : circa 1960
- width
- 14.5 in (36.83 cm)
- height
- 4 in (10.16 cm)
- depth
- 9 in (22.86 cm)
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GL-37
Tall Blue and Green Stripe Ceramic Studio Vase
Tall Blue and Green Stripe Ceramic Studio Vase. United States: circa 1970
- height
- 20.5 in (52.07 cm)
- diameter
- 5 in (12.7 cm)
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GL-32
Blue and Green Glass Vase by Vicke Lindstrand for Kosta Boda
blue and green glass vase by Vicke Lindstrand for Kosta Boda Etched signature and number to underside of each example ‘Kosta 41592 V. Lindstrand’. Sweden: circa 1959 Lindstrand, who had begun his career as an illustrator before moving into glass, was first employed by Orrefors where he helped develop many techniques, including the Ariel whereby air bubbles are encased in coloured glass. Orrefors could not afford to keep Lindstrand on during the war and after a decade at the famous glassworks, he moved to ceramics at Uppsala-Ekeby. Rumour had it that his previous contract with Orrefors stated he wasn’t allowed to work in the glass industry for ten years after leaving. Years later after his supposed exile from the glass industry, Lindstrand re-entered glass society and joined Kosta, where he created works of a similar style to those at Orrefors but with a greater sense of artistic freedom and vibrant colour pallet. He would work as Artistic Director for 23 years up until his retirement in 1973.
- width
- 4.75
- height
- 7.25
- depth
- 2.5
- condition
- Good overall condition
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L-66
$12,500
Murano Glass Floor Lamp with Gold Foil Inclusions by Barovier e Toso
Rare Murano glass floor lamp with gold foil inclusions and bronze mounts by Barovier & Toso .Italy: circa 1950
- height
- 72.5 in.
- diameter
- 27.5 in.
- condition
- Good overall condition
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M-16
Python Skin Mirror by Karl Springer
Important python skin covered rectangular mirror by Karl Springer , bearing painted brass manufacturer's label to reverse ‘Karl Springer’. With authentication from Tom Langevin, former director of Karl Springer, Ltd. USA: circa 1975 Mr. Springer's quest for high quality imbued his work with an unrivaled sense of scale and proportion, and his attention to detail and devotion to uncompromising craftsmanship won him respect throughout the design industry. His work was sought out by the best designers of the two decades to follow, finding its way into the homes of, among others, Jackie Onassis, Diana Ross, and Frank Sinatra. By the 1970s he had opened a large showroom in New York City; galleries in Miami, Los Angeles and Tokyo were to follow. His business, Karl Springer Ltd., would, by the nineties, have outlets in Munich and Chicago.
- width
- 43
- height
- 53
- depth
- 3.25
- condition
- Good overall condition
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F-30
Important Pair of Black Lacquered Gilt Decorated Panels by Paul Etienne Saïn
Important pair of black lacquered and gilt decorated panels by Paul Etienne Saïn, ( French 1904 – 1995), each decorated with a hunting scene in applied gold leaf . Showing perfect technical mastery, the composition of these panels revisits a classic of art history : the hunting scene. The background in dark eggplant color is intricately decorated with a depiction of the hunters and their dogs holding a crossbow and spear with a casle in the background. The doors are composed of 2 panels with a lock. Signed: "Paul Étienne Sain" France: circa 1920. Provenance: Important Parisian Collection. While continuing to work for other designers, Paul Etienne Saïn began to conceive original works. Proven technician, he favored large decorative compositions, the iridescence of gold and silver and was inspired by the works of the ancient Chinese lacquers of "Coromandel". Close to Jean Dunand, he decorated the walls of the private restaurant of the liner Atlantique in 1931. With this success, he participate in the adventure of the liner "Normandie", by providing wall decorations for 24 cabins. Twenty other ships followed, as well as the mythical fleet of seaplanes Latécoères. His last prestigious order, dated in 1962, for the dining room "Chambord" on the France oceanliner , composed of monumental scenes illustrating the "Joys of Life".
- width
- 68.50
- height
- 93.70
- depth
- 2
- condition
- Very good original condition, no restoration to lacquer cleaned and waxed. Later top brass molding.
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CL-13
French Brass Automaton industrial locomotive clock
Locomotive Automaton clock with barometer and thermometer made for the American market. Features a bronze case with white enamel dial marked with black Roman numerals, and two ornate hands. Barometer marked: "Aneroid" Complete with Japy Freres movement No. 51676 with gong strike. Wheels driven by separate movement in base. Includes "Mystery, Novelty, & Fantasy Clocks" book by Schiffer, Features locomotive clock. France : circa 1895
- width
- 18.5 in.
- height
- 17.5 in.
- depth
- 9.25 in.
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F-06
sold
Rare Gentleman valet by Paul Dupre Lafon for Hermes
Rare Mahogany gentleman's valet by Paul Dupré Lafon for Hermès. The coat hanger and foldable shelf covered in black stitched leather, also fitted with two polished brass tie hooks and the base fitted with a polished brass shoe rack. Paul Dupré Lafon was know in Paris to be the architect/decorator of the millionaires. He mostly custom made orders, commissions and works and closely collaborated with Hermes leather to make leather covered items. France: circa 1935 Thierry Couvrat DESVERGNES. Paul Dupre-Lafon decorateur des millionaires. Paris: Richer & Editions de l’Amateur, 1990. p.205-206 represents same model.
- width
- 15 in.
- height
- 53 in.
- depth
- 17 in.
- condition
- Very good overall condition, recent black leather upholstery.
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S-93
sold
Pair of Rosewood and Ebonized Stools by Tomaso Buzzi
Pair of rosewood and ebonised upholstered stools by Tomaso Buzzi. Of ecxeptionnal proportions and design, these small benches are the perfect example of the Italian modern interpretation of the neoclassical style . Italy: circa 1930 provenance: Commissioned by Ambrogio Gadola, Milan | Private Collection, Milan | Il Ponte Casa d'Aste Srl, Milan, Decorative Arts of the 20th Century Design, 17 December 2019, Lot 125 | Private Collection literature: Literature Tomaso Buzzi. Il principe degli architetti 1900-1981, Cassani, ppg. 321-323 Domus, no. 33, September 1930, pg. 5. Tomaso Buzzi designs for Ambrogio Gadola, 1929-30. Image courtesy of Archivio Tomaso Buzzi, la Scarzuola. Tomaso Buzzi (1900-1981) was exceptionally well versed in culture and literature, defining the 20th century as a garden architect, inventor, restorer, aside from curating the interior design in important historic buildings. He was a Professor of Furnishing Design for Milan’s Politecnico, along with myth Gio Ponti. He was tightly linked to the Novecento Milanese group, including greats such as Muzio, Cabiati, and De Finetti, and had a longstanding, fruitful collaboration with Ponti himself. The relationship spanned architecture, urban planning, design, and writing articles for Ponti’s “Domus”, a prestigious publication founded in 1928 by Ponti.
- width
- 32.25 in.
- height
- 14.75
- depth
- 15.5 in.
- condition
- Very good condition professionally re-polished and reupholstered
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CH-25
Diminutive English 18th Century Oak Cupboard on Stand
Diminutive English 18th Oak Cupboard on Stand. England: circa 1740
- width
- 28.5 in (72.39 cm)
- height
- 49.25 in (125.1 cm)
- depth
- 9 in (22.86 cm)
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S-86
Set of Four Modernist Walnut and Upholstered Dining Chairs by Flair Furniture
Set of four modernist walnut and upholstered dining chairs by Flair Furniture the dimensions are of the armchairs height with armrest 25.75 in. United States: circa 1960
- width
- 23 in (58.42 cm)
- height
- 35 in (88.9 cm)
- depth
- 20 in (50.8 cm)
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T-36
Stunning Brass Acid Etched Coffee Table by Willy Daro
Stunning brass acid etched coffee table by Willy Daro with agate inset. Signed: "Willy Daro"The table was previously fitted with a lighting device to illuminate the agate from under.Original condition normal usage and wear with time and showing small scattered indentations. France : 1970
- width
- 55 in (139.7 cm)
- height
- 14.5 in (36.83 cm)
- depth
- 35 in (88.9 cm)
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T-198
Bronze Éclaté Gilded Bronze Coffee Table Lamp by Claude Victor Boeltz
Bronze Éclaté Gilded Bronze Coffee Table Lamp by Claude Victor Boeltz. France: 1970
- width
- 63 in (160.02 cm)
- height
- 17.5 in (44.45 cm)
- depth
- 31.5 in (80.01 cm)
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S-32
Pair of Modernist Velvet and Bronze Wingback Armchairs with Bronze Structure
Pair of Modernist Velvet and Bronze Wingback Armchairs with Bronze Structure France : circa
- width
- 35.5 in (90.17 cm)
- height
- 41.25 in (104.78 cm)
- depth
- 28.75 in (73.03 cm)
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L-79
Bronze Éclaté Gilded Bronze Table Lamp by Claude Victor Boeltz
Bronze Éclaté Gilded Bronze Table Lamp by Claude Victor Boeltz France : 1970
- width
- 21.5 in (54.61 cm)
- height
- 32 in (81.28 cm)
- depth
- 15.75 in (40.01 cm)
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F-10
Great sea grass and Teak Screen /Room Divider
Great sea grass and teak free standing sinuous from screen /room divider decorated with 49 small teak windows. France , circa 1970
- width
- 75.25 in.
- height
- 70 in.
- depth
- 12.5 in.
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NW-37
Acquatint and Carborundum Untitled Plate IV from Five Night Faces in Broadway by Karel Appel
Polychrome Acquatint and Carborundum Untitled (Plate IV from Five Night Faces in Broadway) by Karel Appel Signed: "Appel 75 E.A." Netherlands: 1975 Signature: Signed and dated in graphite lower right margin of sheet dimensions of the work itself 28x33
- width
- 41
- height
- 36