Galerie
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P-34
Painting of an Appeasing Nude by Adam Sherriff Scott
Adam Sherriff Scott was born in Perth, Scotland and began his art education in 1903 at the Edinburgh School of Art. He was awarded the Allen-Fraser Scholarship to continue his studies for four years at the Allen-Fraser institute, which was a finishing school for talented young artists, and studied under George Harcourt A.R.A. After this, he continued his studies at the Slade School under Henry Tonks as well as at the National Gallery and the Tate Gallery. In 1912, he moved to Canada. He worked for an American who commissioned him to paint large scenes of the Canadian West to sell to real estate agents. Scott moved to Montreal in 1915 He became a member of the Beaver Hall Hill Group, which included such artists as Lilias Torrance Newton, Randolph Hewton, Edwin Holgate and Robert Pilot. He was commissioned to paint numerous portraits, as well as posters for the Canadian Pacific Railway and the Southam Press. During the 1920s, he spent six years living with the Inuit and painted numerous scenes of their lives. He established the Adam Sherrif-Scott School of Fine Art, where he taught drawing and painting. He was elected ARCA in 1935 and a full member of the Royal Canadian Academy in 1944. Canada.
- largeur
- 33,25 po.
- hauteur
- 40,25 po.
- profondeur
- 1 po.
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P-33
Watercolor of a Semi Nude Woman by Adam Sherriff Scott
Adam Sherriff Scott was born in Perth, Scotland and began his art education in 1903 at the Edinburgh School of Art. He was awarded the Allen-Fraser Scholarship to continue his studies for four years at the Allen-Fraser institute, which was a finishing school for talented young artists, and studied under George Harcourt A.R.A. After this, he continued his studies at the Slade School under Henry Tonks as well as at the National Gallery and the Tate Gallery. In 1912, he moved to Canada. He worked for an American who commissioned him to paint large scenes of the Canadian West to sell to real estate agents. Scott moved to Montreal in 1915 He became a member of the Beaver Hall Hill Group, which included such artists as Lilias Torrance Newton, Randolph Hewton, Edwin Holgate and Robert Pilot. He was commissioned to paint numerous portraits, as well as posters for the Canadian Pacific Railway and the Southam Press. During the 1920s, he spent six years living with the Inuit and painted numerous scenes of their lives. He established the Adam Sherrif-Scott School of Fine Art, where he taught drawing and painting. He was elected ARCA in 1935 and a full member of the Royal Canadian Academy in 1944. Canada. Provenance from Estate of the son of Thomas Garside, who was a very closed friend of Sherriff-Scott. Canada circa 1940 The dimensions are of the work itself
- largeur
- 9,5 po.
- hauteur
- 10,5 po.
- profondeur
- 1 po.
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NW-01
vendu
Pair of Diminutive Italian Gilt and Carved Wood Baroque Columns
Pair of Italian carved giltwood Baroque columns. Italy: circa 1900
- largeur
- 4 po. (10cm)
- hauteur
- 24,5 po.
- profondeur
- po.
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S-04
vendu
Rare "Mosque" Chair by Carlo Bugatti
Rare "Mosque" chair by Carlo Bugatti made of ebonized wood, upholstered with parchment and inlaid with pewter details and mounted with hammered copper decorations. Italy 1902 Carlo Bugatti was a famous designer active at the turn of the century. His pieces are rare and highly prized. He was the father of Rembrandt Bugatti who was a renowned sculptor, his work is also highly valuable and sought after . Ettore Bugatti, his other son founded the Bugatti Motor Car Company.
- largeur
- 16,25 po.
- hauteur
- 57,5 po.
- profondeur
- 16,25 po.
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T-31
vendu
Rare Pair of Bronze Side Tables "Creation of Man" by Philipp and Kelvin Laverne
Rare pair of side tables in patinated bronze "Creation of Man" by Philipp and Kelvin Laverne. USA 1965
- largeur
- 18,5 po.
- hauteur
- 18,5 po.
- profondeur
- 11,5 po.
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CR-11
Pair of Painted Dutch Medieval Style Glazed Terracotta Reliefs Plaques
Pair of Dutch Medieval style ceramics reliefs carvings representing Adam and Eve and St George the Dragon.
- largeur
- 7 po.
- hauteur
- 7 po.
- profondeur
- 2 po.
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L-06
Modernist Patinated Brass Chandelier by Oscar Torlasco
Modernist patinated brass chandelier by Oscar Torlasco model 392. italy: circa 1955
- hauteur
- 45 po.
- diamètre
- 35,5 po.
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L-36
Patinated Bronze Grotto Style Sculptural Lamp Representing a Stylized Dolphin
Patinated bronze grotto style sculptural lamp representing a stylized dolphin. USA 1900
- largeur
- 10 po.
- hauteur
- 37,5
- profondeur
- 8 po.
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D-10
Elegant Art Deco Mahogany and Gilt Bronze Desk by Jules Leleu
Elegant Art Deco mahogany and gilt bronze executive desk by Jules Leleu. Inset with leather top and signed in one of the drawers. France: circa 1946
- largeur
- 80 po.
- hauteur
- 29,5 po.
- profondeur
- 35 po.
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T-153
Italian Modernist Style Walnut Table Desk
Italian modernist style walnut table desk with the four splayed fitted with brass hoofs. Italy, circa 1950.
- largeur
- 60 po.
- hauteur
- 30 po.
- profondeur
- 37,5 po.
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L-116
Rare et élégante paire d'appliques Art Déco en bronze doré par Jules Leleu
Rare et élégante paire d'appliques en bronze doré par Jules Leleu, France: circa 1940. Étampé Leleu et numéroté.
- largeur
- 7 po.
- hauteur
- 11 po.
- profondeur
- 3,5 po.
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GL-15
Crystal Glass Polished and Frosted Vase by Lalique
Crystal glass polished and frosted vase by Lalique. Signed: “Lalique France” France: circa 1960
- hauteur
- 10,5 po.
- diamètre
- 7 po.
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OA-32
Pair of Etruscan Style Hand Painted Terracotta Chargers
Pair of Etruscan style hand painted terracotta chargers. After the antiquity. Italy: circa 1900
- profondeur
- 2 po.
- diamètre
- 20 po.
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M-06
vendu
Rare and Exceptional Mirrored Gilt Glass and Talosel Resin “Soleil à Pointe” Convex Mirror by Line Vautrin
Rare and exceptional mirrored gilt glass and talosel resin “Soleil à Pointe” convex mirror by Line Vautrin. Signed: Line Vautrin. France, circa 1950. Talosel is a resin material invented by Vautrin. It is derived from cellulose acetate. France: circa 1950
- diamètre
- 23 po.
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L-107
Brass and Gilt Bronze "Pomegranate" Lamp by Maison Charles
Beautiful quality gilt bronze lamp by Maison Charles in the form of a pomegranate on a square base, together with a nice finish tole shade. France: circa 1950
- hauteur
- 27,5 po
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P-35
Gouache colorée abstraite par Gio Colucci
Gio Colucci, peintre, sculpteur, céramiste, est né à Florence, en Italie, en 1892. En 1911, il s'installe à Paris pour étudier l'architecture à l'école des Beaux-Arts. Colucci s'installe au Caire en 1914 où il travaille comme architecte. En 1917, il abandonne l'architecture et se met à peindre. Il se rend aux États-Unis et rapporte de nombreuses toiles. A son retour à Paris en 1919, Colucci expose à la galerie Allard. En 1921 et 1923, il participe au Salon d'Automne et au Salon des Surindépendants avec Gleizes, Herbin, Duchamp-Villon. Colucci revient à Paris en 1945 et expose ses céramiques à la galerie Christofle. En 1947, il participe au Salon des Décorateurs à Paris, et en 1952, il expose ses céramiques au Musée de Vallauris en Provence. La même année, la Galerie de l'Odéon expose ses sculptures polychromes qui ont une expression totale de liberté. En 1954, Colucci participe au Salon des Indépendants au Musée du Grand Palais où il expose des sculptures et des céramiques. Gio Colucci participe à la troisième Biennale consacrée à la sculpture en 1955 à Anvers en Belgique. En 1956, Colucci fonde, avec Gino Severini, l'École italienne des arts et en 1959, une rétrospective est organisée à la Juster's Gallery de New York ainsi qu'au Musée Rodin de Paris. Une rétrospective de son œuvre est organisée à New York en 1963. Le Musée des Arts Décoratifs de Paris expose plusieurs sculptures en bois polychromé, des céramiques mais aussi des verres Arcopal peints et collés de Colucci. L'artiste est décédé à Paris en 1974. Provenance ex collection de la famille propriétaire de Sara Lee
- largeur
- 26,5 po.
- hauteur
- 32,5 po.
- profondeur
- 1 po.
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L-38
Brass and Gilt Bronze "Corn" Lamp by Maison Charles
Beautiful quality gilt bronze lamp by Maison Charles in the form of a corn on a square base, together with a silver finish tole shade. Signée: Made in France Charles & Fils France: circa 1970.
- hauteur
- 33,5
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NW-72
en attente
Etruscan style terracotta ewer with wine leaf motifs
Etruscan style terracotta ewer with wine leaf motifs. France: circa 1890
- hauteur
- 35,5
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GL-16
Grand vase en verre de Murano "Scavo" par Alfredo Barbini
Vase en verre de Murano "Scavo" par Alfredo Barbini pour Cenedese. Signé "Barbini" à la base. Italie: circa 1960
- hauteur
- 10,5
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GL-17
Bol orange en verre de Murano "Inciso" par Venini
Bol orange en verre de Murano "Inciso" par Venini Signature à la base (Venini Murano Italia). Italie: circa 1950 Provenance: Collection privée Toronto, Canada
- hauteur
- 2 po.
- diamètre
- 9 po.
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S-68
vendu
Sculpted Bronze Chair by Paul Evans
Sculpted Bronze low chair by Paul Evans USA circa 1970
- largeur
- 29 po.
- hauteur
- 32 po.
- profondeur
- 26 po.
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CR-10
Glazed Ceramic Celadon Horse Sculpture
Glazed crackled ceramic celadon horse sculpture. Marked under the base "Made in Italy" Italy: circa 1950
- largeur
- 19 po.
- hauteur
- 18 po.
- profondeur
- 6,5 po.
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CH-33
Rare cabinet en acier soudé polychrome par Paul Evans
Rare cabinet à deux portes en acier soudé polychrome par Paul Evans U.S.A: circa 1972. Cette armoire a été fabriquée à la main par Paul Evans et son assistant. Les portes avant sont fabriquées en soudant des pièces d'acier de forme irrégulière pour créer un motif abstrait, les différentes pièces sont ensuite patinées individuellement avec des acides et des feuilles d'or pour obtenir une riche mosaïque polychrome. La caisse en bois est recouverte d'un motif patchwork en cuivre patiné, le dessus est incrusté d'une ardoise noire. Provenance : Collection privée Chicago
- largeur
- 48 po.
- hauteur
- 31,5 po.
- profondeur
- 21,5 po
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SC-37
Abstract Bronze Sculpture by Teresa Eguibar
Abstract bronze sculpture by Teresa Eguibar. Signed and resting a limestone base Spain: circa 1970
- largeur
- 15 po.
- hauteur
- 13 po.
- profondeur
- 12,5 po.
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